Monday, January 30, 2006

Free Ted Leo + the Pharmacists

I realize they have been releasing material since 1999 and I'm just now discovering them. Yeah, that's pretty sad. They're pretty great though. There able to mix a rough punk sound with some great melody.



Pitchfork's Robert Mitchum had this to say regarding the band's 2003 Hearts of Oak album. . .
"Eschewing pretentious unpretentiousness for unguarded passion, strict '77-'82 influences for the classic rock stop on the FM dial, calculated instrumental inadequacy for guitar solos that are less technical flaunting (looking at you, Malkmus) than skillful, noisy exorcisms, Ted Leo makes a sound filled with so much authentic abandon that the British mags probably can't handle it."

check out a bunch of free mp3s here and and the current tour stops here.

Thursday, January 26, 2006

Live



American Analog Set

I've stumbled across Bradley's Almanac and his great collection of live mp3s. He records everything right in the crowd with a Sony minidisc recorder-he even takes some pretty nice pictures.

I highly reccomend the Explosions in the Sky set and the American Analog Set set.
click on the names to go right to the download page.

Each set is only available for short time though. . .

Friday, January 20, 2006

No mowers

Read this Fast Company article describing why a CEO told Wal-Mart not to sell his products.

Like music. . .?


checkout the great concert poster selection at The Poster List.
real cheap too.

Thursday, January 19, 2006

The wait begins





The Appleseed Cast (myspace page) is set to release their newest album in March, but thanks to I Guess I'm Floating we've got a preview and it sounds great. Head over to the blog to hear two new tracks as well as an amazing array of free indie mp3s. .





Also, you've got to watch the preview for this new documentary by Eugene Jarecki title Why We Fight.
It's scheduled for relase tomorrow likely in NY and LA.
It looks incredible.
Read the interview with the film maker on the offical website as well-very insightful.





Monday, January 16, 2006

1.16.2006

click here in honor of the day . . .

remember segregation

Friday, January 13, 2006

Koppel and little else




"I have been an unabashed fan of NPR for many years and have stolen untold excellent ideas from its programming. It's time to give something back."

So he's a thief.

This came from the mouth of Ted Koppel when asked about his decision to join NPR in June as a senior news analyst. I think Neal Conan and Mr. Koppel should have a bare knuckle boxing match in NPR fleece vests with the winner recieving the host spot on Talk of the Nation. . .

Aside from realizing through a friend that the 70s rock group CAN was a decade or two ahead of everyone else, I'd don't have much else.

Check out all the new links (that's where I steal all my ideas).

Wednesday, January 11, 2006

Watch this

Bill O'Reilley appeared on David Letterman recently and well. . .it was not pretty.

watch it here in Windows media.
watch it here in Real player.




oh, and read the real post for today below.

Not indie. . .but pretty damn good


Although We Are Scientists newest release Love and Squalor has been available overseas for months now, it's U.S. release yesterday caught the attention of not just this blogger, but most of the music blog community.
Love and Squalor is sure one of the next "it" albums with its almost perfect straddling of the line between furiously catchy pop-punk and that wildly popular greasy hair garage band sound. And even though the album is a Virgin release and the band has appeared on Letterman, it's indie rock. While comparisons to The Strokes and The Killers will inevitably be made over the coming months as "everybody else" becomes aware of the New York-based threesome, We are Scientists have something unique. (Or it could just be bassist Chris Cain's really thin moustache.)
While listening to the Inaction mp3 for close to a week now, thanks to gorillavsbear, the high octave guitar lines and Beatlesesque backing vocals on the chorus had me wondering what else these guys might have already released. It seems the two EPs which the band has released are still import only from the UK and one is available from iTunes.
Upon a full listen of the record, Nobody Move, Nobody Get Hurt will likely be the U.S. favorite, but certainly not the best track. The chours here beomes a little repetitive, fortunatly the music keep the song interesting. Can't Lose, the record's fifth track, begins with a poppy bouncing bass and drum mix as lead singer Keith Murray sings, "The party's alright, I might wanna stop drinking, what we're we talking about?" It's one of those songs, as most of the albums tracks are, one can find themself singing along with by the time the third or fourth chorus comes around. . . on first listen. That classic disco loose off-beat high hat snare combo is smattered all over the record and specifically The Great Escape and Worth the Wait. Both tracks immeditatly draw comparisons to the genres already-famous bands, We Are Scientists never lets that sound carry the song thugh, but instead refreshes the sound at the chorus with bigger guitars and drawn out singing.
While a lot can be said for the ultra-catchy hooks on the this records and the fact that almost everytrack could potentially be a favorite, We Are Scientists are not the next greatest thing in indie rock. Love and Squalor is great record with twelve well-written songs-and that's a perfect answer for a rainy January.

Read the Pitchfork review here.
listen and watch videos here.

Monday, January 09, 2006

Let it be known



Mylo will be big.

If you haven't heard of him or heard his tunes, let it be known that you read it here first. Mylo is creating what is some of the best electronic music available.
Check out a great review and some samples here and check Silverwagon again for more on this Scottish electronic pioneer.

Friday, January 06, 2006

Good for a Friday

I found this link on largeheartedboy, which you really should check out, and it seems an adequate post for a Friday at 1 p.m. in the almost middle of winter.

you were expecting an ipod, oh well how about some pink, raw-ass meat instead?

The emotions, I imagine, a 14-year-old girl would be going through upon finding meat when expecting an ipod.

1. Anger
2. Confusion
3. Lack of appetite
4. Confusion (due to odor)
5. Sadness
6. Denial
7. Compelling desire to contact local news and show them the meat.

Tuesday, January 03, 2006

No one else





I've been checking out a lot of year-end "best of" lists. Many of them overlap which is proof of the music's quality. Bands such as Deerhoof, Clap Your Hands Say Yeah, Bloc Party and Wolf Parade have all been written up and read up over the past three weeks-and they're great groups. You've probably already checked out many of those lists yourself and heard much of the music, so I've got a reccomendation that I have not found on anyone's "best of 2005" list.
Hird is the name the Swedish Christoffer Berg has given to his musical creation. On his 2005 debut release Moving On, the 22-year-old Berg is the mastermind behind every sound on the disc. Not only is the record the first full lenght release for Hird, it's the first album distributed DMN Dealers of Nordic Music. For only having released a few albums so far the site is a great introduction to the Scandinavian electronic scene.
The word nu-jazz appears all over the place in descriptions of Berg's nordic electronic creations. And really that's what you'll hear. While many of the tracks have a club feel to them, you won't find anything near a house anthem here. Jazz is hiding behind every syncopated note here and the female vocals suggest a deep appreciation for Ella Fitzgerald. Nine tracks of silky traveling chillout with a souful jazz backdrop is what you'll enjoy on first listen. On repeated plays the layers will peel themselves back revealing what is just really good mid-tempo electronic jazz. Every cut is outlined with a mellow yet soulful organ creating a warm nest for the deep bass high hat combos. Even though the vocals come across at first listen as repetitive, it's as though they are more part of the music than actually words. The words here continue, they travel, they don't merely repeat.
The album's jewel, Moving On, is the perfect soundtrack to a early winter drive through Sweden, I'd imagine, or an October run along a Michigan coast. Christoffer Berg has made a truly pleasing electronic album and certainly will again.

Check out Hird samples and many of the other DNM artists at the DNM Loft.